The Oresteia Critical Essays - eNotes.com.

Apollo finds the Furies contemptible and horrific, relics of a time when vengeance was more important than justice. The Furies, meanwhile, believe that Apollo is trying to steal their power. The dialogue ends with the Furies vowing to pursue Orestes, even as Apollo promises to protect him.

Apollo represents the new order of light and civilization against the primitive Furies, who scream only for blood and more blood. Athena's acquittal of Orestes at the end of the play is a symbol of Athens's progression into a new era of civilization.

The Oresteia trilogy, which includes the plays Agamemnon, The Libation Bearers, and The Eumenides, has justice as its central theme. Aeschylus wrote these plays sometime during the period after the end of the Persian wars, when the star of Athens was on its ascendancy.

Aeschylus’s Oresteia touched a chord within Francis Bacon both in its themes of parental violence and pursuit by the Eumenides and in the way Aeschylus’s poetry communicated in a subconscious emotional level.Analyzing three triptychs, a closer examination is made between the works.

In the Oresteia there seems to be a continuing cycle of revenge. Someone is murdered and then a relative must kill the murderer, therefore becoming a murderer himself. A new chosen one is then selected to take revenge on that person who killed before him and the cycle goes on and on. The furies also play a part in this cycle of revenge.

Oresteia The fate of Orestes lies with the powerful goddess Athena.Athena, the goddess of wisdom, law, and Justice, is the Judge for the trial of Orestes.Orestes is being tried for the murder of his mother, Clytemnestra. Stop Using Plagiarized Content. Get a 100% Unique Essay on Oresteia.

Essay Agamemnon's Homecoming. To the extent of this class so far, we have had the opportunity to read the book titled, The Complete Aeschylus: Volume 1: The Oresteia: 1, but more specifically the story of Agamemnon, the Greek Warrior King. The story of Agamemnon’s homecoming is one for the ages.

Aeschylus’ use of darkness and light as a consistent image in the Oresteia depicts a progression from evil to goodness, disorder to order. In the Oresteia, there exists a situation among mortals which has gotten out of control; a cycle of death has arisen in the house of Atreus.

In The Oresteia, after Orestes is bidden by the god Apollo to kill his mother, the gods known as the Furies sentence him to be haunted. Due to the opposition of the wills of the gods, there was a divine trial, and the outcome was to be wagered by a jury of twelve men and the court's judge, the wisest goddess Athena.

An analysis of the chorus in the oresteia by aeschylus. While the chorus in Agamemnon is focused on restoring power to Agamemnon as king, the play's sequel, The Eumenides traces the progression of the struggle for power as the chorus of the Furies strives to retain authority.

First, the Furies cross-examine Orestes. Orestes admits that he killed his mother, and says that he did so following the commands of Apollo. He also says that his mother had it coming to her (because she killed Agamemnon, Orestes's father), and, unexpectedly, that she isn't related to him by blood anyhow. Now the Furies question Apollo.

Justice in The Oresteia Aeschylus is primarily concerned with the nature of justice. In the trilogy The Oresteia, the Akhaians evolve from an older, more primitive autocratic form of justice, to a new concept of civil justice devised by Athena.